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7th #nfcdab – Open Call

Flyer by Karina Pálosi.

We welcome you to the open call for the 7th edition of #nfcdab (Near-Field Communication Digital Art Biennale). It’s a show travelling through Europe every two years (formerly Amsterdam, Wroclaw, Warszaw, Gol, Valencia, Pedreguer, Berlin, Thessaloniki, Gardony, Dusseldorf, and others). The biennale uses NFC/QR-technology to exhibit online net art in physical, public places. As such it’s a bridge between the digital and the physical and makes it possible to create site-specific, contextual and multi-layered works. #nfcdab keeps a DIY/DIWO (do it with others) open format and protocol: no jury, no fees, no return(!). The focus is on informal experiment with technology with much irreverence and humor. Consult if you wish: https://kylezhe.ng/writes/crafting-qr-codes.
Deadline for submission: 31.08.2026.

Submit here


This edition features two/three different platforms for exhibition. You might take part in all of these:

– The Amsterdam show –
The Amsterdam show will probably take place in and around the Rietveld Pavilion organised by browserbased.org with collaboration from https://dogtime.rietveldacademie.nl/. The call is open for all manners of online works: net- and code focused works, moving or still images, sound, zines, comic strips, etc.
how to submit:
graphics we ask for:
A4 vertical: 21cm x 29,7cm
sticker horizontal: 8,5cm x 4,1cm
Upload for both format: A qr code + text. Text can be title and author or whatever the author wants.
NFC TAG: short text or link – max 100 characters with spaces.


– The nfcdb initiative –
#nfcdb (NFC database) is one of the platforms in this biennale. If you want to participate, please place a QR- or NFC-tag with (link to) your online work, place it in your local, public environment, then upload the work to the database (see below) where it will be shown on a map and with extended info how and where to access it. We also welcome QR/NFC-works done in the past (preferably still existing). The intention is to provide a global show and register of current and former works of #nfcdab-related activities, i.e. using the technology to exhibit online art in public environments. We keep a DIY/DIWO (do it yourself/ do it with others) open format and protocol: no jury, no fees, no return(!). The focus is on informal experimenting with technology with much irreverence and humor, with a database to back it up and a mapping to show and for the public to explore both online and on the ground.
Link to nfcdb and submission to it: https://noemata.net/nfcdb/

– The tagdrop/ app – TagDrop turns small files – text, HTML pages, images, audio, SVGs – into self-contained QR codes that work completely offline. Print one on a sticker or sheet of paper and leave it somewhere; anyone with the TagDrop app (or any QR scanner that follows tagdrop: links) can scan it and view the content immediately, with no internet connection, server, or account required.
For more: https://github.com/mofosyne/tagdrop


#nfcdab channels:
-blog: https://nfcdab.org/
-fb/group: https://web.facebook.com/groups/1nfcdabiennale/
-fb/page: https://www.facebook.com/nfcdab/
-app: https://github.com/mofosyne/tagdrop
-data base: https://noemata.net/nfcdb/

logo

10 years anniversary at Konstantina’s

Mauricio’s JS for jitsy.
Rotating screens.
On screen, a pic of one location of #nfcdab 2022 in Gárdony, HU.
An animation based on the opening event of hÿperlocal at povvera, Berlin seen through Logstalgia.
Assorted objects from browserbased, noemata and nfcwproject.

On January 27, 2023 browserbased gathered for a small celebration. Konstantina Mavridou graciously hosted the evening and together with Joubin Zargarbashi and Mauricio van der Maesen de Sombreff made the installation as well as the local jitsy server set up to rotate through connected laptop screens.

#nfcdab 2022, pedreguer, es.

4th city: Pedreguer (ES) locations https://www.google.com/maps/search/%23nfcdab+pedreguer/@38.793896,0.0191779,14z/data=!3m1!4b1 #nfcdab Q2X5+4R Pedreguer https://goo.gl/maps/Es5JtM37iXxHurHK9 #nfcdab Q2WQ+84 Pedreguer https://goo.gl/maps/MXEC6XVMDdHSoPDt7 docs: https://noemata.net/halfapound/next-beginning/nfcdab_pedreguer,es_bjorn/home.html

Organizers: https://nfcwproject.tumblr.com/, https://noemata.net/, https://www.browserbased.org/
Special thanks to Bjørn Magnhildøen!

#nfcdab 2022, gárdony, hu.

3rd city, location at gallery 27349, coordinates: 47.208258 N, 18.637858 E.

3rd city, other location, coordinates: 47.2095259 N, 18.6394883,561 E.

Artists: Alex Zakas, Ana Buigues, Benna Gaean Maris, Brian Khuu, Dominik Podsiadly, Felix Adam, Iza Koczanowska, Joubin Zargarbashi, Jovita Majewski, Juli Laczko, Klara Landwehr, Konstantina Mavridou, Mirosław Chudy, Noemata, oops.group, Patrick Lichty, tzcha.tez, Xavier Dallet.

All files, logo, poster and qr codes are available at https://github.com/nfcdab-fan/nfcdab-2022.
Organizers: https://nfcwproject.tumblr.com/, https://noemata.net/, https://www.browserbased.org/

Special thanks to Ágnes Ungár and Auróra Merczel for helping and hosting!

One-Off Moving Image Festival 2021

One Off

Welcome to the fourth edition of One-Off Moving Image Festival!

We’re screening one-second movies, off takes, and 60 seconds movies on the theme “After IS NOw”. The interpretation has been open, both for the theme and for what an “off take” means. This year the festival is screening the movies online during the festival November 7 – 14, 2021. We have intended to screen all movies, with no jury or curation. We also use public space to show the festival via QR-codes.
We’re collaborating with 60Seconds Festival in Copenhagen (DK) which takes place at the same time, to screen a selection of the movies mixed with 60 seconds movies in Copenhagen, Frederiksberg, Køge and Helsingør during the festival week.

https://noemata.net/one-off/

3rd Near-Field Communication Digital Art Biennale – Call for works!

open call for works
Near Enough? – the amsterdam edition of the 3rd near-field communication digital art biennale – is calling for works! the idea is to take advantage of the potentials of near field (mis)communication and other sharing technologies for showcasing and making web-based digital art in outdoors settings. after gol(No) and warsaw(PL), #nfcdab#3 will come to amsterdam(NL) and go on to valencia(ES), wroclaw(PL) and possibly prague(CZ), berlin (DE), and athens(GR). the works are being shared between nodes! deadline for submissions is 31 july 2018!
exhibition dates: 5 -12 august 2018 with the exception of 11th.
technology:
NFC tags, QR codes, routers (free hotspots), sensors. 
keep in mind: A. human sensory pack, B. sensors in mobile devices, see: https://www.w3.org/2009/dap/
what we’re looking for:
– contextual, parasitic, virtual, imaginary, descriptive, phenomenological, mapping art.
– parasitic on art context and on human perception.
– the character is lo-budget and lo-tech, even to the degree of being ‘bricked’ (unresponsive) as a strategy against the spectacle which is technology.
– a focus on the relation between inert physical objects and their virtual counterpart in a broad sense being objects of our perception – coming alive, activated by innate or prostetic sensors.
– fictionalization, obfuscation, and muddling of information, activating associative, lateral, derailing storylines. a staging of events, not for common digestion all bombyx (written on a box of canned silk worm pupaes). there should always be the possibility that the biennale doesn’t exist. it may be a practical joke or simply a hallucination of arcane references found in public spaces, toilet walls, and bricked streets. 
– the works can be textual descriptions of possible or impossible artworks for the locations. invert works to ‘prompts’ for activating the subject ‘in place of the work’.
– alternative mapping strategies between physical and virtual.
– how the tech can be used to invert modes of exhibition and perception.
– people can act like sensors, works can be prompts – an activation of your innate senses.
– descriptive art, the code-tag can act as a prompt for people to write, to email, web or nfc message board.
– a description of a virtual or imaginary artwork, or reinterpretation of a real (or virtual!) work at site.
– hybrid object, virtual-real, the tag refers to its virtual counter-part, complement/undermine/commenting it.
– an object’s memory, available to the decoder, and collected by (mail/web/nfcboard).
– virtual graffiti, a camera obscura – creating of an inverted virtual-physical space.
– ambulating, walking, tagging, flaneur.
submit:
– content playable or bricked on mobile, portable devices, human senses and imagination.
– whatever you can conjure up related to the call, even if  it is of a contrary stance.
– interventions and tripwires.
– submissions should contain: title, author, url or file(s), sticker graphics fitting on 9x 4,5cm in a landscape orientation with QR code title, author + whatever. we will print, cut and paste them onto the plantersigns. multiple stickers with QR codes are possible when needed! see: more works or text based works that are longer than approx. 255 words presented only on QR code. if you wish you can send us a NFC tag or an explanation why you need a NFC tag! sorry, guys we are working with a shoestring budget! 
via email
    to: iheartmyart@browserbased.org
    subject: Near Enough? nfcdab# 2018
we will be greatful if you spread the word and forward the call!
organizers:

for the bird visit: http://joub.in/bird/lands/

online tools:
URL shortener: https://bitly.com/